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戴定澄簡介

個人簡介
戴定澄：教授，作曲理論博士、博士生導師。主要研究領域為歐洲早期多聲音樂，2003年赴澳門工作後同時開始關注和研究澳門城市音樂。現為澳門城市大學全職教授、音樂學博士課程負責人、澳門城市音樂文化研究中心主任。兼任中國音樂家協會理事，國家藝術基金評審委員、華南師範大學博導、中央音樂學院、中國音樂學院、星海音樂學院等高校客席教授，澳門城市音樂研究學會、中央音樂學院澳門校友會等音樂團體名譽會長。曾任英國紐卡素大學客席教授，香港浸會大學音樂學科海外學術咨詢委員，上海師範大學音樂學院首任院長，澳門理工大學教授，澳門政府文化諮詢委員，上海音樂家協會副主席等職。

戴定澄出生於上海，幼時學習音樂，並於上海完成音樂學士學位（作曲主課導師：陳松齡副教授）及助教進修（師從陳銘志、林華等教授）；後赴日本國立靜岡大學隨須貝靜直講座教授研修；再於上海音樂學院作曲系隨桑桐先生讀博。出版專著：《歐洲早期和聲的觀念與形態》（上海，2000、2001）；《鍵盤和聲與即興彈奏》（安徽，1991、2001、2004）；《音樂表演在澳門》（澳門，2005）；《音樂教育在澳門》（澳門，2005）；《音樂創作在澳門》（澳門，2007）；《20世紀澳門天主教音樂》（澳門，中文版2013、2015；英文版2015）；MUSICA CATOLICA EM MACAU NO SECULO XX （葡萄牙，2018）；《16世紀歐洲多聲部音樂研究》（台灣，2017）；《澳門城市音樂文化研究》（上海，2022、2023）；《澳門管樂歷史追蹤（1650-1900）》（同洪少強合著，香港，2025）；《20世紀澳門民俗與儀式音樂研究》（香港，2025）等。編著或主編：《歐洲文藝復興合唱經典》（北京，2008）；《文化，遺產視域下的澳門音樂個案研究》（香港，2026）；《中國民間歌曲集成 澳門卷》 （北京 ，2025）；《傳統與傳承：大灣區城市音樂研究》（香港， 2026）等。於中國大陸暨港、澳、臺地區，日本、歐美多國公開發表中、英、日、葡文論文百餘篇，其他學術文章百餘篇。音樂研究、音樂創作與教學獲獎數十項。因對音樂文化的學術貢獻，獲上海市長授予“回國留學先進人員”獎牌（1997）；澳門特區政府行政長官授予“文化功績勳章”（2013）。

Author’s Biography

Dai Dingcheng is a professor and doctoral supervisor holding a PhD in Composition Theory. His primary field of research focuses on early European polyphonic music. Since relocating to Macau in 2003, he has concurrently pursued research into Macau's urban musical culture. He currently serves as Full Professor at the City University of Macau, in charge of the Doctoral Programme in Musicology, and as Director of the Macau Urban Music Research Center. His additional appointments include: Council Member of the China Musicians Association; Expert Reviewer for the China National Arts Fund; Doctoral Supervisor at South China Normal University; and Visiting Professor at the Central Conservatory of Music, China Conservatory of Music, and Xinghai Conservatory of Music. He also holds honorary presidencies at music organisations including the Macau Urban Music Research Association and the Central Conservatory of Music Macau Alumni Association. Formerly, he served as Visiting Professor at Newcastle University in the UK; Overseas Academic Adviser to the Department of Music at Hong Kong Baptist University; First Dean of Shanghai Normal University Music College; Professor at Macao Polytechnic University; Member of the Cultural Consultative Council of the Macao SAR Government; and Vice-Chairman of the Shanghai Musicians Association. Born in Shanghai, Dai Dingcheng began studying music in his childhood. He completed his Bachelor of Music degree in Shanghai, majoring in Composition under the supervision of Associate Professor Chen Songling, and subsequently undertook teaching assistantship training under the tutelage of Professors Chen Mingzhi and Lin Hua, among others. He later pursued advanced study at Shizuoka University in Japan under Chair Professor Shizunao Sugai, before undertaking doctoral studies in the Department of Composition at the Shanghai Conservatory of Music under Professor Sang Tong. His published monographs include: Concepts and Forms of Early European Harmony (Shanghai: 2000, 2001); Keyboard Harmony and Improvisation (Anhui: 1991, 2001, 2004); Music Performance in Macau (Macau: 2005); Music Education in Macau (Macau: 2005); Music Composition in Macau (Macau: 2007); Catholic Music in Macau in the Twentieth Century: Music Writers and their Works in a Unique Historical Context (Macau: Chinese edition, 2013; revised edition, 2015; English edition, 2015); Música Católica em Macau no Século XX (Lisbon: 2018); Research on European Polyphonic Music in the Sixteenth Century (Taiwan: 2017); Research on Urban Music Culture in Macau (Shanghai: 2022, 2023); Tracing the History of Wind Bands in Macau (1600-1950), co-authored with Hong Siu Koeng (Hong Kong: 2025); and Research on Macau's Folk and Ritual Music in the Twentieth Century (Hong Kong: 2025). Books he has compiled or edited include: Choral Classics (Beijing: 2008); Case Studies of Macau Urban Music from the Perspective of Cultural Heritage (Hong Kong: 2026); Compendium of Chinese Folk Songs: Macau Volume (Beijing: 2025); and Tradition and Transmission: Studies of Urban Music in the Greater Bay Area (Hong Kong: 2026). He has published over one hundred academic papers in Chinese, English, Japanese, and Portuguese in mainland China, Hong Kong, Macau, Taiwan, Japan, and numerous European and American countries, along with over one hundred additional scholarly articles. He has received dozens of awards for music research, composition, and teaching. For his academic contributions to music culture, he was awarded the ‘Outstanding Returned Overseas Scholar’ medal by the Mayor of Shanghai in 1997 and the ‘Medal of Merit (Culture)’ by the Chief Executive of the Macao SAR Government in 2013.